The team behind the Peter and the Wolf project convened again at Hillstone Primary School last Thursday. They explored further the model for composition work and also introduced the visual part of the project. The workshop was led by James Mayhew and some truly outstanding masterpieces were created.
On Saturday, 1 December, bassoonist and principal contrabassoonist of the City of Birmingham Symphony Orchestra, and woodwind tutor of King Edward’s School, Margaret Cookhorn, shares her excitement about a rare experience – playing the contrabassoon in chamber music by Mozart. She also analyses how Richard Strauss brings exotic flavours to the orchestra in his take on Salome’s Dance of the Seven Veils, and explains her fascination for patterns in the music of Benjamin Britten. Margaret’s choices range from a miniature by Elgar played by violinist Nigel Kennedy to part of Messiaen’s massive Turangalila Symphony, plus vocal acrobatics from Ella Fitzgerald and Bobby McFerrin.
At 2 o’clock Margaret introduces her Must Listen piece – something she thinks everyone should hear at least once in their life – as she says: “it contains one of the most exciting and rhythmic endings to a symphony ever written”.
You can read more at:
Our thanks to Mr. Ash for the photographs.